Politics

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Olds has many poems dedicated to political violence and the victims within it. She shares her vision with such powerful lyrics of sadness, "the terrible voice of submachine guns saying this is more important than your life". Olds has been criticized for being " over-dramatic, and exhibiting a morbid obsession with violence and puerile infatuation with profanity". Though this statement may be partly true, it lacks the reality of their ’ought-self '. Olds brutal honesty about such happenings is our possible saving grace, if we so choose to see it. In an interview Olds was asked what her work offers the reader, “I think the arts are about showing us ourselves- including what's dangerous about us- holding a mirror up to nature." she replies.

 

Open Letter To Laura Bush:

On September 19, 2005 Olds sat down and wrote a letter to Laura Bush declining her invitation to attend the National Book Festival in Washington. This letter then appeared in The Nation on the October 10, 2005 edition.

"But I could not face the idea of breaking bread with you."

Open letter to Laura Bush

Portrait of a Child
( Yerevan, capital of a republic set up by those Armenians who had not been
 massacred by the turks. In 1921, Turkey and Russia divided teh Republic between them.)
 
His face is quite peaceful, really,
like any child asleep, though the skin
is darkened in places, the curved eyelids
turgid, part of the ear missing
as if bitten off. He lies like a child
asleep, on his side, one arm bent
so the hand curls near his face, one arm
dangling across his chest, fingertips
touching the stone street. His shirt has
two rents near the waist, the slits hunters make
in the stomach of the catch.
Besides the shirt he wears nothing. His abdomen is
swollen as the belly of a pregnant woman
and sags to one side. His hip- joint bulges,
a bruise. His thigh is big around as a
newborn's arm, and from hip- bone to knee
the tendon runs sharp as a crease in cloth,
the skin pulling at it. His knees are enormous,
his feet peaceful as in deep sleep,
and across one leg delicately rests
his penis. Pale and lovely there
at the center of the picture, it lies, the source
of the children he would have had, this child
dead of hunger
in Yerevan.

The Issues
( Rhodesia, 1978)
 
Just don't tell me about the issues.
I can see the pale spider-belly head of the
newborn who lies on the lawn, the web of
veins at the surface of her scalp, her skin
grey and gleaming, the clean line of the
bayonet down the center of her chest.
I see her mother's face, beaten and
beaten into the shape of a plant,
a cactus with grey spines and broad
dark maroon blooms.
I see her arm stretched out across her baby,
wrist resting, heavily, still, across the
tiny ribs.
             Don't speak to me about
politics. I've got eyes, man.
 
 
 
 

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